Showing posts with label The Brothers Bloom. Show all posts
Showing posts with label The Brothers Bloom. Show all posts

Thursday, August 8, 2013

Best Death Scenes


A well executed death scene can pack the final emotional punch for a movie. It can legitimize an ending and bring the audience to tears. It can bring a cheer from the crowd when the we see the antagonist finally gets their long-awaited end. Or it can open the window for a lot of ridicule and embarrassment due to poor direction, writing, or acting. While it may not ruin the movie as a whole, it will stick out as a negative dip in an otherwise good movie. 

Here are my favorites. 

WARNING: SPOILERS COMING AT YOU


It would be easy to pick Obi-Wan Kenobi. His death in Star Wars: Episode IV - A New Hope has a lot going for it. It is sacrificial, for one. He looks over at Luke, and knows that for Skywalker to start the journey to being a Jedi he needs to die. And since it happens in the first movie when the audience doesn't have a lot of information, the death is shrouded in mystery. Why did Kenobi deactivate his saber and let Vader strike him down? And why did he disappear? The enigmatic elements behind the death is also the downfall for why I didn't pick this as my favorite death. While we know Ben Kenobi is a benevolent character, we don't really get to grow attached to him. He's there as a mentor, and then he's gone. He had a high stature, and because of that the death means something, but we're not emotionally attached enough to know how much it means. 


When I said Saving Private Ryan Emily countered with, "That whole movie is a death scene." I can't really disagree, but the scene I have in mind involves the medic, Wade. They are moving across an open field to take down a few Germans. We run through the smoke--a close third perspective from Upham--ducking down because of the gunfire. The German soldiers are overtaken, but that's when we hear people calling for a medic. We run to the cries, seeing our medic, Wade, laying flat on his back trying to direct his fellow soldiers in helping him with his wounds. They tear his shirt open and there are numerous bullet holes, all seeping dark crimson. The men pour water on his torso and wipe the blood away, but the holes keep producing more and more blood. They just won't stop. There is even a moment when all the men put their hands on the gaping wounds, trying to stop the bleeding with pressure, but it's not enough. They guide his hand to one bullet hole and when he feels his liver he knows there is no hope. This scene shows how underrated Giovanni Ribisi is. When he asks for more morphine--enough to overdose on, we can be happy as an audience because he's not going to be in pain anymore, but he was the moral character. In many respects Wade was their compass. But now, they're on their own. This death is handled so well, but it is not my #1 pick. Partly because every death in Saving Private Ryan is packed full of emotional turmoil and Wade's is one of the first. The story doesn't hinge on him, so while it lets the audience connect with the movie on a deeper level, it doesn't let us have that overlying epiphany I'm looking for. 


My pick for the best death scene is Stephen Bloom from The Brothers Bloom. Stephen spends the entire movie claiming he's trying to help his younger brother obtain the life he wants. It's all for Bloom, but we continually suspect Stephen only uses his brother because Bloom holds the skill sets that are needed to complete the cons. He never seems selfless; instead every action Stephen takes is for his own personal gain, even if he is saying otherwise. There is a scene early in the movie when they talk about the fake blood staying the vibrant red even after it has dried on their clothes. At the end of the movie the brothers are involved in a shootout with their arch nemesis Diamond Dog's henchmen. Bloom scares the men away and runs up to his brother. There is a vivid red seeping into his white dress shirt. Stephen laughs, and tells Bloom that it's all part of the con. He tell his young brother to grab the girl and get going, he'd catch up. Bloom asks about the blood and we hear the echo of fake blood. He hugs his brother like he's never hugged him before. The reign of the brothers bloom was going to continue on. We cut to Bloom waking up in the car, his cuff hanging in front of his face. The blood has dried to an ugly brown. The car is pulled over and Bloom stumbles into a field, tears streaming down his face. The movie cuts back to Stephen sitting down on a chair, looking up at the spotlights, allowing life to leave his body. All Bloom wanted was to live an unscripted life, and with Stephen's death the wish is granted. It was the first time we were able to see Stephen act in a selfless manner for his brother. 

And I cry every time. 

So there are mine. What are yours?

Thursday, August 30, 2012

What Should Rian Johnson Do Next?

by Joe

Rian Johnson is quickly becoming one of my favorite writer/directors. He hasn't missed, yet. Every one of his movies is a genre flick, but he is able to transcend and break through the constraints, putting out inventive and original movies. He is like the original-minded Tarantino. We've got a guy who loves movies so much that he has schooled himself with watching as many as he can (and he graduated from USC's School of Cinema and Television in 1996, but whatever.) Now he is reaching back and pulling all these old genre tricks out, but where Tarantino makes fresh homages, Johnson is making fresh and new.


His debut was Brick, a spin on the noir-thriller. He set the movie in a present-day high school, livening up the P.I.-speak dialogue we're used to from old Humphrey Bogart characters. The heavy plot points throughout the flick heighten the emotional appeal, but the quirky side somehow keeps it grounded. This has been Johnson's most stylized movie at this point, therefore the least accessible. That's not to say it's bad, but rather just the way it is.


His second movie was a take on the romantic-comedy. How'd he spice it up? Make the two main characters con artist brothers. The love interest? Their mark. And thus, we're presented with The Brothers Bloom. Mix a great cast (Adrien Brody, Mark Ruffalo, Rachel Weisz) with a quirky quest for love and you've broken out of the rom-com box, leaving a brilliant piece of cinema.

Johnson's latest movie is the time traveling romp Looper. This is his sci-fi action movie. And even though I haven't seen it yet (it comes out on September 28th, please go see it), I am more than confident to say it will be good. Will it match or exceed his other two movies? I don't know, maybe, maybe not. But it is definitely going to be a bigger movie. The inclusion of Bruce Willis pretty much guarantees that. Based on the trailer, there will be amazing action coupled with compelling artistic shots.


I know it's early to even start talking about it since his latest hasnt' even hit the theatres, but I can't help but ask: what should Rian Johnson do next?

He has done the thriller, comedy, and action. It'd be easy to say that he should do a straight drama, but I object to such claims. Every one of his movies has used a certain degree of drama to help transcend the genres they would otherwise be held prisoners to. If Johnson were to do a straight drama I fear the flick would feel too flat. Not that it wouldn't be good, but he works best with quirks and style. So the exclusion of that would run the risk of losing the ol' Johnson charm. Besides, he's done episodes of Breaking Bad, so any avid drama supporter can go watch those over and over (mostly because they're damn good).

Since this is a man who understands a wide array of movies, I would challenge him to make a horror movie. I'd like to point out that when I usually think of horror movies Friday the 13th and Paranormal Activity pop in my head. But this isn't what Johnson would do with the genre. He would bring us something like The House of the Devil, Rosemary's Baby, or The Exorcist. It'd be like when Kevin Smith made Red State. No one thought he would pull off a horror flick, and what do you know, he sort of pulled it off. He made the movie different and fun and horrifying. I envision Johnson doing the same sort of thing. But whereas Smith only made comedies leading up to his departure into different territory, Johnson has changed his game with every new project. His mind is in a constant state of change while he looks at what would be new, fun, and exciting.

I say it's about time we get a dose of Johnson humanizing the horror genre.