Saturday, September 21, 2013

Writing Documentaries


Is it just me that thinks it's weird when a documentary has writing credits? They're stories built on interviews and facts. What is a screenwriter going to be doing here? Flesh the story out? If that was the case then the documentary at its core would be diluted and lose credibility (considering people were to find out. Here's looking to you James Frey!).

Now, at this point I have to look at nonfiction as a literary category. Look at journalism, for example. The majority of articles written for a paper are built in the same way that a filmmaker would make a documentary. They conduct interviews to get closer to the truth through different perspectives. They take the time to think about how all the pieces fit together and at the end the reader is given a fully formed story. And under the title we'll see "written by." Somebody took the time to compile of the documentation and molded into a ingestable story. They deserve the credit for sifting and writing the story.

If a journalist deserves the credit then why wouldn't a documentary deserve a writer? The director of the film would be the issue. If a documentary has a writer, then where does the director fit in? The man behind the camera is the one spending the time sifting through the information to make a solid story. The writer makes me think there is an amount of deceit involved in the film when I see that credit.

I'm not a documentary filmmaker, so I would like to know if I'm completely off on this? Is there a bigger job that I'm not seeing here? Let me know!

Tuesday, August 13, 2013

Does James Franco Hate Me?


Does James Franco hate me? Like, has he come to this blog and read of the entries? Did he get so offended by my fake article about him curing AIDS that he decided the only way to get all the aggression out was to make a Bukowski movie? I mean, we already have a great documentary exploring Bukowski's life, so what's the point, really? Did he read my bit about he should keep his ignorant, grubby hands off As I Lay Dying and realize he'd be really good at adapting Cormac McCarthy's Child of God? Was "Don't make this movie," translated to, "Hey, make this this other movie because you're SSSOOOOO GGRREEEEAAATTT!" I mean, I think it's pretty clear why I hate him
But why does he hate me so much?


On top of that, I thought he was pretty good in This is the End. Why can't he throw me a bone, and maybe, you know, stick to what he's good at and not fuck up the books I like. Why can't he just enjoy books for being books and movies for being movies. 


He acts like he's this high minded literary scholar, but then decides to take these pieces of writing that are--for the most part--unfilmable and tries to film them. Franco thinks so highly of himself that he believes he's doing the whole world a favor. 


I'd also like to point our that Franco went to school for Creative Writing (in one of the problems he's been through). So why doesn't he try to create something, opposed to shitting all over Faulkner and Bukowski? Just a thought.

Does he know who I am? And, again, why does he hate me so much?

Thursday, August 8, 2013

Best Death Scenes


A well executed death scene can pack the final emotional punch for a movie. It can legitimize an ending and bring the audience to tears. It can bring a cheer from the crowd when the we see the antagonist finally gets their long-awaited end. Or it can open the window for a lot of ridicule and embarrassment due to poor direction, writing, or acting. While it may not ruin the movie as a whole, it will stick out as a negative dip in an otherwise good movie. 

Here are my favorites. 

WARNING: SPOILERS COMING AT YOU


It would be easy to pick Obi-Wan Kenobi. His death in Star Wars: Episode IV - A New Hope has a lot going for it. It is sacrificial, for one. He looks over at Luke, and knows that for Skywalker to start the journey to being a Jedi he needs to die. And since it happens in the first movie when the audience doesn't have a lot of information, the death is shrouded in mystery. Why did Kenobi deactivate his saber and let Vader strike him down? And why did he disappear? The enigmatic elements behind the death is also the downfall for why I didn't pick this as my favorite death. While we know Ben Kenobi is a benevolent character, we don't really get to grow attached to him. He's there as a mentor, and then he's gone. He had a high stature, and because of that the death means something, but we're not emotionally attached enough to know how much it means. 


When I said Saving Private Ryan Emily countered with, "That whole movie is a death scene." I can't really disagree, but the scene I have in mind involves the medic, Wade. They are moving across an open field to take down a few Germans. We run through the smoke--a close third perspective from Upham--ducking down because of the gunfire. The German soldiers are overtaken, but that's when we hear people calling for a medic. We run to the cries, seeing our medic, Wade, laying flat on his back trying to direct his fellow soldiers in helping him with his wounds. They tear his shirt open and there are numerous bullet holes, all seeping dark crimson. The men pour water on his torso and wipe the blood away, but the holes keep producing more and more blood. They just won't stop. There is even a moment when all the men put their hands on the gaping wounds, trying to stop the bleeding with pressure, but it's not enough. They guide his hand to one bullet hole and when he feels his liver he knows there is no hope. This scene shows how underrated Giovanni Ribisi is. When he asks for more morphine--enough to overdose on, we can be happy as an audience because he's not going to be in pain anymore, but he was the moral character. In many respects Wade was their compass. But now, they're on their own. This death is handled so well, but it is not my #1 pick. Partly because every death in Saving Private Ryan is packed full of emotional turmoil and Wade's is one of the first. The story doesn't hinge on him, so while it lets the audience connect with the movie on a deeper level, it doesn't let us have that overlying epiphany I'm looking for. 


My pick for the best death scene is Stephen Bloom from The Brothers Bloom. Stephen spends the entire movie claiming he's trying to help his younger brother obtain the life he wants. It's all for Bloom, but we continually suspect Stephen only uses his brother because Bloom holds the skill sets that are needed to complete the cons. He never seems selfless; instead every action Stephen takes is for his own personal gain, even if he is saying otherwise. There is a scene early in the movie when they talk about the fake blood staying the vibrant red even after it has dried on their clothes. At the end of the movie the brothers are involved in a shootout with their arch nemesis Diamond Dog's henchmen. Bloom scares the men away and runs up to his brother. There is a vivid red seeping into his white dress shirt. Stephen laughs, and tells Bloom that it's all part of the con. He tell his young brother to grab the girl and get going, he'd catch up. Bloom asks about the blood and we hear the echo of fake blood. He hugs his brother like he's never hugged him before. The reign of the brothers bloom was going to continue on. We cut to Bloom waking up in the car, his cuff hanging in front of his face. The blood has dried to an ugly brown. The car is pulled over and Bloom stumbles into a field, tears streaming down his face. The movie cuts back to Stephen sitting down on a chair, looking up at the spotlights, allowing life to leave his body. All Bloom wanted was to live an unscripted life, and with Stephen's death the wish is granted. It was the first time we were able to see Stephen act in a selfless manner for his brother. 

And I cry every time. 

So there are mine. What are yours?

Monday, July 22, 2013

Am I Wrong About R.I.P.D.?

by Joe


We went and saw R.I.P.D. the other night and loved it. The movie was strange, but not over the top. It was hilarious, but all the jokes had a point. The plot was fairly simple, and I think that worked to its benefit. I'm sick of big budget blockbusters using convoluted plots to try and make the movies sophisticated (see: Pirates of the Caribbean 2 & 3, Oceans 12). From my perspective R.I.P.D. did not do that. Like Pacific Rim they knew what kind of movie they wanted to make. They knew the kind of audience they wanted to see it and they catered it to them. Yet, it is getting destroyed from the critics. As of now, it has a 10% on Rottentomatoes.com.


Am I wrong about this movie? Was Jeff Bridges not downright hilarious? I've read some of the tidbit reviews on the RT website, and not once was I bored or annoyed. The sentimental scenes between Ryan Reynolds (as a Chinese man) and his wife were touching and effective. Or so I thought. I mean, I feel like one of the Americans who loves all of Adam Sandler's new movies. Is this who I am, or are all the critics looking too far into a movie that is in the same category as Men in Black?

Can someone help me out here?

Adult Movies for Children

by Joe

I watched a lot of things I shouldn't have watched when I was little. It wasn't that I went around my parents rules and found movies that were forbidden, but I had a fairly free reign on the types of entertainment and art I could ingest. When I was in elementary school I watched Kids, American History X, A Perfect World, Boogie Nights, Sleepers, and the list goes on.


It's not so much that I saw horrific images--because it seems like a lot of kids will stumble upon images and stories that are too gruesome for their age--but rather, I was expected as a viewer to understand the themes and motivations of the characters. And like acclimating to language, I eventually started to pick up on what things meant. The directors and actors don't think about an eight-year-old sitting cross legged in front of the TV screen. Their main concern (as it should be) is putting an authentic story on the screen. The concern is to make something that matters. A true portrait of the human condition.


This could ruin some young minds. When you're young you're supposed to have complete faith in humanity. Supposed to. I can't condone showing these movies to children, but I like to think this over indulgence in mature-themed movies helped shape the person I am today. I learned empathy from being able to watch these movies with all of myself invested in the characters. Kids are easy targets to follow the good and avoid the bad, and that allowed me to fully envelop my feelings into the protagonists.


Now, there is a slight disconnect. I still watch a plethora of movies, and this has unintentionally created a hunt for a movie that will make me learn more about being a human who cares about others, regardless of the walk they find themselves in life. I've read and seen enough to know that I have a lot to learn. Because of the content I watched when I was young it makes me want to seek it out.

So I continue watching the new and the old because I think watching everything I did when I was young helped mold me into I am today.

Friday, May 31, 2013

Cross Promotion


I guess this video is fine. It's got some good celebs in it. It's kind of funny. But didn't we get enough of this with Skyfall? I mean, I know this has been happening for decades (like why did one of the characters get thrown through a Coke billboard?), and then you have the Coke commercials with the Keaton Batman in the batcave. I don't know, maybe I just need to bitch today. I'm also curious to know how much money Man of Steel got from companies for promotion. I hope there is a scene where he spends five minutes trying to shave, then some heroic Nickelback comes on and he sees a Gillette razor.